A Year In The Country Presents ‘Audio Albion’ – Out Now

Presenting Audio Albion, another compilation from ever-redoubtable A Year In The Country and perhaps their finest release to date. Featuring an exclusive Howlround track made entirely from the sounds of a kissing gate recorded somewhere out in the wilds by a well-wisher. This well-wishing then lead to ‘Cold Kissing’. Will I ever get tired of using gates as source material? I hardly think so, every gate is as unique as a snowflake – and if the results continue to be as rewarding as this, why would you ever apply WD-40? Also includes 14 tracks by some of the most interesting artists currently working in this field (pun very much intended). Further details below…

Audio Albion Cover

From the sleevenotes: Audio Albion is a music and field recording map of Britain, which focuses on rural and edgeland areas. Each track contains field recordings from locations throughout the land and is accompanied by notes on the recordings by the contributors. The tracks record the sounds found and heard when wandering down pathways, over fields, through marshes, alongside rivers, down into caves and caverns, climbing hills, along coastlands, through remote mountain forestland, amongst the signs of industry and infrastructure and its discarded debris.

Intertwined with the literal recording of locations, the album explores the history, myths and beliefs of the places, their atmospheres and undercurrents, personal and cultural connections – the layered stories that lie amongst, alongside and beneath the earth, plants and wildlife. Featuring work by Bare Bones, David Colohan, Grey Frequency, Field Lines Cartographer, Howlround, A Year In The Country, Keith Seatman, Magpahi, Sproatly Smith, Widow’s Weeds, Time Attendant, Spaceship, Pulselovers, The Heartwood Institute and Vic Mars.


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